popo 發表於 2016-7-25 12:09:00

True Lies(魔鬼大帝:真實謊言) The Abyss(無底洞)藍光即將要發行?

本文最後由 popo 於 2020-1-3 08:33 PM 編輯



James Cameron上週出席2016聖地牙哥動漫展Aliens 30th Anniversary Edition(異形2 30週年紀念)活動上,
接受記者訪問時除了提到關於阿凡達的近況外,也透露了The Abyss(無底洞)目前已開始掃描底片進行修復的階段
同時也將展開HDR的製作(發行4K?),James Cameron希望能在2017年年初完成(發行?)。

James Cameron On Why ‘Avatar’ Needs Three Sequels and Details on an ‘Abyss’ Blu-ray Release
http://variety.com/2016/film/new ... release-1201821558/

beowheim 發表於 2016-7-25 15:41:38

不知道有沒有中文字幕?

boying123 發表於 2016-8-7 22:22:33

期待此片 非收不可

popo 發表於 2018-12-1 09:41:18

True Lies(魔鬼大帝:真實謊言) The Abyss(無底洞)藍光即將要發行?

在帝國雜誌的專訪內文有卡麥隆的回應,簡單說卡麥隆期望能在(2018)年底前完成,2019年內發行,完整的問答在連結內。

True Lies Blu-Ray Could Be Done By End Of 2018, Says James Cameron

“Man, it’s on my to-do list,” Cameron admitted. “It’s a question of time-management. True Lies and The Abyss both have Blu-ray transfers that are complete for my review. The problem is the next 14 hours when I have to go back and trim the color and get each one perfect. That’s 28 hours. I don’t have 28 hours.” He added that he’s hoping to take a look at them before 2019 arrives: “I’ve put it on my list to try to get it done before the end of the year.”

https://www.empireonline.com/movies/news/true-lies-blu-ray-done-end-2018-says-james-cameron/?fbclid=IwAR2dFnTsWPX4CXE6YlDm6qbfUGPQBBCr8j-3OSD3XG5j-KstT9H4C7FD9lc/

人工智能 發表於 2018-12-1 15:12:36

希望這次卡神是在玩兒真的,不是在忽悠影迷

TU6222 發表於 2018-12-4 02:55:08

期待超久的!

popo 發表於 2019-3-6 08:10:43

本文最後由 popo 於 2019-3-6 08:21 AM 編輯

調光師 Skip Kimball在社群帳號上分享了一張照片,看來無底洞The Abyss距離發行4K的機會越來越近了。
This is happening on stage one this weekend!The Abyss, directed by @jamescameronofficial.

boying123 發表於 2019-3-7 23:10:41

非常期待

popo 發表於 2019-3-26 08:05:17

導演Rian Johnson在twitter上發布一張正在搜尋節目的圖片,而搜尋的是True Lies,當然這部作品是找不到的,不過隨即引來Ryan Reynolds叫導演嘗試尋找The Abyss,而隔幾天後這兩部作品的導演James Cameron給了承諾及回應



popo 發表於 2020-1-3 20:40:48

本文最後由 popo 於 2020-1-3 08:54 PM 編輯

無底洞的HD版在HBO的串流出現了即將放映的資訊,看來發行藍光或是4K UHD就端看詹導之後是否有後續的動作。另外魔鬼大帝也同樣在HBO串流上有節目資訊。
https://www.hbo.com/movies/the-abyss




https://www.hbo.com/movies/true-lies




zerowingtype 發表於 2020-1-4 00:36:16

無底洞是我一直在等發行4K版本的片,希望未來真的會發行。

popo 發表於 2020-6-6 23:36:44

本文最後由 popo 於 2020-6-7 09:24 AM 編輯

True Lies(魔鬼大帝:真實謊言) 西班牙的AMAZON上釋出發售消息(連結內的下方討論,這個有可能不是官方正式的版本)
Mentiras Arriesgadas BD 1994 True Lies Arnold Schwarzenegger, Jamie...



popo 發表於 2020-11-3 20:27:37

魔鬼大帝:真實謊言除了西班牙的發行消息外,美版或是其他地區都還是沒看見發行消息,反倒是Netflix居然有上架放映,在等待實體光碟就先來看看線上串流板。
https://www.netflix.com/title/60029814

popo 發表於 2021-12-22 07:48:46


https://www.space.com/james-cameron-tech-noir-book-exclusive

Space.com: "The Abyss" is often a neglected Cameron classic that was a pioneering film in so many ways. What can you tell us about concept art created for it and will there be a high-definition 4K transfer at some point?

Cameron: Yeah, we finished the transfer and I wanted to do it myself because Mikael did such a beautiful job with the cinematography on that film. It is truly, truly gorgeous cinematography. That was before I started to assert myself in terms of lighting and asking the cinematographer to do certain things. I'd compose with the camera and choose the lenses, but I left the lighting to him. He did a remarkable job on that movie that I appreciate better now than I did even as we were making it.

I'd also like to point out that he took one look at the first day's dailies of the underwater lighting and he went out and learned to scuba dive. He came in the following Monday morning, the worst diver in the world, but he reinvented underwater lighting. He went for indirect lighting and he got everybody doing things that were not just outside their comfort zone, they'd never even thought of it. Suddenly the underwater shots start to live up to the surface photography.

So I just recently finished the high-def transfer a couple of months ago so presumably there’ll be Blu-rays and it will stream with a proper transfer from now on. I appreciate what you said about the film. It didn't make much money in its day, but it does seem to be well-liked over time. The designers were basically Ron Cobb on the one hand, and Steve Burg on the other, who was lead designer of the NTIs, the non-terrestrial intelligence, the look of their city and bodies and faces. Steve was a guy that I worked with on "Terminator 2"after that. He was quite young at the time and fairly new to design.

Whereas Ron Cobb was quite well seasoned. He'd done "Blade Runner" and "Alien" and worked with me on "Aliens." Ron did all the lived-in tech of the underwater oil rig. I’m sure there were people that saw the film and thought that we just went and filmed on one of those underwater oil rigs that they have. Which they don't! But it looked real enough that you believed it was a real facility. It looked like the real deal if there ever was such a thing.

Steve of course got to be completely fanciful and use very flourishy design language. I used the same motif I did on "Aliens," which is to cast seasoned artists to do different design cultures. So there’s the human technology culture and then there was the alien culture.

popo 發表於 2022-1-17 18:53:15

無底洞據傳明年(2023)



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